I have fond memories of sitting under the kitchen
table as a young child, as my mother and her friends
would be sewing. I have used sewing to make many
three-dimensional pieces of artwork, and I wanted
to transfer the tactile surface of my three-dimensional
work to a two-dimensional surface. The works are
inviting to be touched, the way it's hard to resist
having your hand slide over a quilt, or a lush
piece of cloth in the fabric store. In an effort
to create a soft bas-relief, I started using batting
and sewing simple outlines on the sewing machine.
I intended to paint the entire surface, with the
pattern showing through occasionally, but felt
the line drawings were powerful enough on their
own in some of the pieces. |